Jane, a recent college graduate and aspiring film producer, just landed her dream job as a junior assistant to a powerful entertainment mogul. Her day is much like any other assistant — making coffee, ordering lunch, arranging travel accommodations and taking phone messages. But as Jane follows her daily routine, she grows increasingly aware of the abuse that insidiously colors every aspect of her workday, an accumulation of degradation against which she decides to take a stand.
Following the antics of a young woman, Emma Woodhouse, who lives in Georgian- and Regency-era England and occupies herself with matchmaking – in sometimes misguided, often meddlesome fashion- in the lives of her friends and family.
The classic story of Peter Pan is wildly reimagined in this ragtag epic from Benh Zeitlin, director of BEASTS OF THE SOUTHERN WILD. Lost on a mysterious island where aging and time have come unglued, Wendy must fight to save her family, her freedom, and the joyous spirit of youth from the deadly peril of growing up.
We live in a time of uncertainty – about the trajectory of our own lives, the lives of generations to come and the continued health of the planet we live on. For millennia, wild salmon have survived ice ages, continental shifts and most destructively, human beings. Their continued existence provides a glint of hope under the surface of malaise we now find ourselves in.
When wild salmon return to their home rivers to spawn and die, their bodies are a sacrament – giving life to their progeny, the earth itself and human beings. Their last act ensures that life will continue. Right now, it may be up to us to ensure their very existence will continue.
By suddenly dismantling safeguards the EPA had enacted to protect the salmon, water and people of Bristol Bay – the current political regime in the United States has unilaterally revived a mining corporation’s relentless pursuit to build North America’s largest open-pit copper mine – directly in the headwaters of the most prodigious wild sockeye salmon run in the world.
The Wild is a race against time, where the hard-fought-for/hard-won protections for Bristol Bay now seem as fleeting as morning mist. Focused through the lens of Mark Titus’ inherent love for wild salmon, the conflict in Alaska becomes a harbinger to a larger, global question: How do we reconcile human separation from the natural world that sustains us – and if we can change course – how do we save what remains?
Everyone said Cassie (Carey Mulligan) was a promising young woman… until a tragic event abruptly derailed her future. Now she’s a medical school drop-out, living at home with her worried parents and working at a coffee shop with a concerned boss (Laverne Cox). It seems like she is at a standstill, except for the double life Cassie leads at night….
Marianne is commissioned to paint the wedding portrait of Héloïse, a young woman who has just left the convent. Because she is a reluctant bride-to-be, Marianne arrives under the guise of companionship, observing Héloïse by day and secretly painting her by firelight at night. As the two women orbit one another, intimacy and attraction grow as they share Héloïse’s first moments of freedom. Héloïse’s portrait soon becomes a collaborative act of and testament to their love.